Tuesday, November 27, 2012

Where to buy sumi brush

As a true beginner and self taught, I rely so much on books and instructional video about sumi-e. It's quite easy to download the sumi-e videos from the internet and to buy ink stick. But purchasing sumi brush, suzuri (ink stone/ink well) is a different story.

Sumi brush is very rare here and no Indonesian art store sells the utensils. I have contacted reputable art store in my town and some other stores in Jakarta but it all ended up with disappointment. Even Kinokuniya stores, a Japanese chain book and art store in Jakarta, don't have them for sale.

There were no options left for me but purchasing brushes and suzuri online. My friend Russian friend Origa who lives in Michigan recommended some US-based online stores while some Japanese friends named few stores in Tokyo, Fukuoka and Kyoto. Unfortunately, most japanese stores that receive online order do not have english pages. Even Kyukyodo, an art store in Fukuoka since 1663 is not an exception!

So, if you are interested in sumi-e and can't purchase your supplies from local store, you may try to contact info@awesomeartsupply.com. It's an art store in the US that sells most of supplies produced by Paragon Art.

Return to my drawing table

Your arm is the extension of your heart and mind to control your brush. And pouring out your heart and mind out into your brush stroke is best by letting your arm swing free and your fingers familiar with the whole character of your brush; the handle, the size, the bristle, the resilience, the load.

It's been awhile I've been put my painting tools aside for office work. Probably I was just too lazy to exercise regularly, but most of the times I felt too tired and consumed with my job. But I finally managed to get back to my drawing table, unroll my brush scroll and rice paper, prepare the suzuri and inkstick.

Practice regularly, along with meditation, is key in developing your painting skill. You may disagree, but that was the case when it come to my personal experience. Halting your training for too long undermines your skills and and it surely spread the distance between your heart and mind and your brush. Your hands tremble as your heart lose the beat of your brush. And your brush strokes, won't express your genuine feeling at the time you were doing the painting.

The painting above was completed last night, after two hours warm up. I am still unhappy with the result, but I believe I poured my heart out.

Friday, July 27, 2012

Chrysanthemum leaves practice

Chrysanthemum is one of the Four Gentlemen. This flower, along with bamboo, plum and orchid are usually become basic training subject in sumi-e or ink brush painting. It was hard for me to take on this lesson for several reasons. The first is probably because I am not familiar with this beautiful flower and plant. I have no direct observation necessary in catching the spirit of the flower. So, all I did was downloading photos from different internet resources, spending quite some times on staring at the pictures, and doing the exercise. This is one of my exercise with chrysanthemum;


Tuesday, June 26, 2012

Bamboo obsession.

I am probably obsessed to this image; full moon and bamboo twigs against it. 

Saturday, June 16, 2012

Admiring strength, persistence and loyalty.

Along with pine and plum, bamboo is one of Three Friends of Winter. In chinese tradition, bamboo gains great admiration for its characters. It remains green even in coldest winter, has apparent strength and flexibility at the same time. While most trees lose their leaves and many turn dormant, bamboo keeps growing. Bamboo symbolizes strength, loyalty and persistence.

I painted this as an exercise while my heart was admiring all of good characters bamboo represents throughout the seasons and years.

Friday, June 8, 2012

Bamboo

Bamboo, doodled while Euro 2012 is on tv. Brush pen on plain paper.

Bamboo shading

The first sumi-e book I bought was Kay Morrissey Thompson's "The Art and Technique of Sumi-e". Written on the base of Ukai Uchiyama teaching, Thompson focuses more on monochrome painting. However, it was Jean Long's book "Chinese Ink Painting, Techniques in Shades of Black" that tells me much more about the subject. I painted the image as an exercise in shading.